About the Artist
Warren Mather, BA Anthropology, University of Wisconsin (1969). Warren’s current work concerns the illusion of space, circularity and radial perspective. Recent works are panoramas of urban and nature imagery from digital photographs that are screen printed, hand colored, fired and glazed on ceramic wall pieces.
Exhibitions include; “Fahreheit 2024",” American Museum of Ceramic Art, Pomona, California, “Abstract Art: Contemporary Approaches,” Mosesian Center for the Arts, Watertown, MA (2023); “Sodaposium,” Keynote Address, Nashville, Tennessee (2022); “All about the Atmosphere, Harvard University, Boston, MA (2017): “Fired and Inspired: Ceramics at Rough Point,” in conjunction with NCECA 2015, Newport, RI, “Basic Black, Concord Art Association, Concord, MA (2015); “Response. Abstracted reactions to the natural and built worlds,” James Gallery, Pittsburg, PA, “Expanding Vision,” Foster Gallery, Nobles and Greenough School, Dedham, MA (2014); “Clay Prints,” Fort Wayne Museum of Art, Fort Wayne, Indiana, “Touch the Earth,” Museum of Art, University of New Hampshire, Durham, New Hampshire, “Contemporary Spins on Blue and White Ceramics, Lacoste Gallery, Concord, MA (2013); “Earth and Alchemy,” Massachusetts College of Art, Boston, MA, “Tree Rings,” Arnold Arboretum, Harvard University, Boston (2012); “Ripple Effect, The Art of H2O,” Peabody Essex Museum, Salem, MA, “Art Encounters Preservation,” Wentworth-Coolidge Mansion, Portsmouth, New Hampshire, “Craft meets Technology,” Kentucky Museum of Art and Craft, Louisville, Kentucky (2011); “Photo Clay,” Fuller Craft Museum, Brockton, MA, “Earth Matters,” NCECA Invitational, Philadelphia, PA, “Water Lines,” Lacoste Gallery, Concord, MA (2010); “International Printmaking Symposium Exhibition,” Jingdezhen, China (09); “Urban Perspectives,” Judy Ann Goldman Fine Art, Boston, Texting, Print and Clay,” Pewabic Pottery, Detroit, Michigan (08); “Landscape Shapes,” Lacoste Gallery, Concord, MA, (07); SOFA New York, (06); Currier Museum of Art, Manchester, New Hampshire; (04); “Photo-Ceramics,”Judy Ann Goldman Fine Art, Boston, Fuller Museum of Art, Brockton; (03); World Architectural Ceramics Exhibition, Foshan, China; Slater Museum, Norwich, Connecticut; (02); Blue Spiral 1, Asheville, North Carolina (01); Galerie Caroline Corre, Paris, France (89); and Museum Bellerive, Zurich, Switzerland (87).
His public art includes photo-clay installations for Mandarin Oriental Hotel, London, UK, Amundi Pioneer, Biogen, Bessemer Trust, InterContinental Hotel and Fidelity Investments, Boston; Babson College, Wellesley; and Cambridge Savings Bank. And in collaboration with Nancy Selvage ceramic murals for the National Park Service, Grand Canyon, Arizona: Keene State College, Keene, New Hampshire: and the State Zoo of North Carolina;.
He recently completed an Artist in Residence at Brush Creek Ranch in Saratoga, Wyoming and has been an AiR in Anderson Ranch, Snowmass, Colorado, Elsewhere Studios in Paonia, Colorado, Sanbao, China, Kecskemet, Hungary, Vermont Studio Center, Johnson, Vermont and Jurmala, Latvia. He is a 2015 Fellow in Crafts for the Massachusetts Cultural Council and was twice a Sculpture finalist for Massachusetts Artist Foundation. His work has been published in The Boston Globe, Ceramics Art and Perception, 500 Prints in Clay, The Atlanta Constitution, Studio Potter, Ceramics Monthly, Soda Glazing, International Ceramic Studio, Bucher Ohne Worte, Images in Clay Sculpture, and Low Fire.
You can download my resume here